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- Carve, cut and smooth with the curved end. The Spearhead end cuts small straight lines and is perfect for creating fine details.This small metal brush creates multiple fine textured marks.
- Remove clay in square in large flat areas with the open loop end. Carve, cut and smooth with the curved end.
- These tool ends are the perfect size for hand drilling holes for salt and pepper shakers in green ware.
- The needle point end is ideal for placing delicate objects or scratching in fine details. Carve, cut and smooth with the curved end.
- This tool is often referred to as a spoolie. It is great for cleaning rough spots on green ware in delicate or hard to reach places.
- The curved tool has a small sharp blade which is great for removing small areas with straight edges. The angled end is great for cutting small detailed areas.
- The angled tool is invaluable for flattening areas in hard to reach places. The needle point can create small holes, texture marks or can assist in placement of small objects.
- Use the slightly forked end to create wood like texture or sgraffito effects. Spearhead ends cuts small straight lines and etches fine details.
- The curved blade with the flat end lifts small areas with straight edges. Use the slightly forked end to create wood like texture or sgraffito effects.
- The curved blade cuts, carves and smoothes clay. The large spearhead blade is great for deepening details and making longer cuts.
- Gives artworks a beautiful iridescent finish
- Apply a single coat to dry paintings using a wide, soft taklon brush
- Perfect for fluid art
- Use a dry, clean cloth to lightly remove any dust from the surface of your artwork before varnishing.
- Lay the canvas horizontally and use a soft taklon brush to apply the varnish quickly.
- Work from side to side and slightly overlap with the previous stroke as you work your way down the canvas.
- Donât use the brush over partially dry varnish because it can ruin the texture.
- To increase the iridescent shimmer, use multiple coats of varnish (allow the previous layer to completely dry before applying another coat). You can apply up to 4 coats of varnish to achieve your desired effect.
- 12 pencils included - 2H, H, F, HB, B, 2B, 3B, 4B, 5B, 6B, 7B, and 8B
- Smooth, scratch resistant leads
- Easy to sharpen and erase
- Hobby knives with a new, sharp blade can be used to sharpen graphite pencils with great results.
- For a finer point, try using a sandpaper block or fine grade sandpaper to assist with sharpening the pencil.
- Made from compressed charcoal encased in wood
- Cleaner and easier to handle than charcoal sticks
- Ideal for detail sketching and drawing
- Smudge and blend with fingers
- Sharpens like graphite pencils
- Keep damp cloth handy for wiping fingertips
- Highlights can be created with Mont Marte Kneadable Erasers
- 1kg.
- Designed for casting, moulding and sculpting.
- For mixing, we suggest approximately 1 part water to 2 parts plaster, however this will vary with temperature of water used and prevailing weather conditions.
- Never use bare hands to mix or stir plaster.
- Water should always be added to the mixing tray first then sprinkle or sift plaster into the water in small quantities and gently mix with spatula. Tap sides to vibrate and release air bubbles. When mixture is a smooth, even consistency and a uniform light grey colour it is ready to pour into mould.
- 10cm x 4.6m (3.9in x 14.8ft)
- Can cover any form
- Creates masks and sculptures
- Cut your strips to size, dip into warm water and apply to wire frames, cores or models.
- Build up the layers until you are happy with the strength of your project.
- Once dry, sand and paint. Setting times will vary due to thickness. When dry you can even try adding clear acrylic to make it water resistant.
- Potters Rib: This wooden tool creates uniform curves when wheel throwing.
- Modelling Tool: Suitable for shaping, smoothing and sculpting clay.
- Large Ribbon Tool: This tool has a large curved blade to shape and carve.
- Sponge: Soak in water and use on your clay piece to prevent it from drying out.
- Needle Tool: This tool is great for placing delicate objects, making small holes and scratching fine details.
- Double Loop Tool: This tool has one curved loop and one flat loop to carve smaller areas of clay.
- Metal Scraper: This metal blade can be used to add finishing touches to pottery pieces or to slice thin strips of clay.
- Wire Clay Cutter: This wired is used to cut and portion blocks of clay easily. Also great to remove finished pieces from the pottery wheel head.
- Fettling Knife: This tool has a long sharp flexible blade for sculpting, scraping and cutting clay.
- Vinyl Case: Keeps your Pottery Set neatly and conveniently together.
- softer and lighter in colour than compressed charcoal and can be used alone or with other drawing media
- may be smudged and blended with fingertips or a paper stump
- may be erased with aMont Marte Kneadable Eraser to reveal highlights
- Mont Marte Pastel Boards
- Mont Marte Sketch Pads
- Mont Marte Premium Cotton Paper
- Mont Marte Visual Diaries
- Mont Marte Compressed Charcoal
- Mont Marte Sketch Pads
- Mont Marte Soft Pastels
- Mont Marte Pastel Pencils
- Mont Marte Skin Tints
- Mont Marte Kneadable Eraser
- Smooth buttery consistency
- High level of pigmentation provides good covering power
- Excellent tinting strength and clean mixing for rich, vibrant colours
- Colours remain unchanged from wet to dry
- Very good lightfastness: Mont Marte Premium Oil Paints have a lightfast rating of 6 or above (equivalent to ASTM2). This means that under museum lighting conditions, the pigment will remain unchanged for 50-100 years
- Slower drying time gives you more flexibility to experiment with layering, blending and brush techniques
- Touch dry after 3-4 days (completely cures in 6-12 months)
- Finish varies across colours in the range
- Non-toxic
Handy hints:
- Use oil paints with wooden palettes (solvents such as turpentine and white spirits may damage plastic palettes)
- Change paint consistency by adding small amounts of turpentine and linseed oil
- Prepare your surface with a coat of primer
- Oil painting
- Glazing and sgrafitto
- Wet-on-wet
- Palette knife painting
- Impasto
- Grisaille
- Colour blocking
- Chiaroscuro
- Mixed media
- Smooth buttery consistency
- High level of pigmentation provides good covering power
- Excellent tinting strength and clean mixing for rich, vibrant colours
- Colours remain unchanged from wet to dry
- Very good lightfastness: Mont Marte Premium Oil Paints have a lightfast rating of 6 or above (equivalent to ASTM2). This means that under museum lighting conditions, the pigment will remain unchanged for 50-100 years
- Slower drying time gives you more flexibility to experiment with layering, blending and brush techniques
- Touch dry after 3-4 days (completely cures in 6-12 months)
- Finish varies across colours in the range
- Non-toxic
Handy hints:
- Use oil paints with wooden palettes (solvents such as turpentine and white spirits may damage plastic palettes)
- Change paint consistency by adding small amounts of turpentine and linseed oil
- Prepare your surface with a coat of primer
- Oil painting
- Glazing and sgrafitto
- Wet-on-wet
- Palette knife painting
- Impasto
- Grisaille
- Colour blocking
- Chiaroscuro
- Mixed media
- Smooth buttery consistency
- High level of pigmentation provides good covering power
- Excellent tinting strength and clean mixing for rich, vibrant colours
- Colours remain unchanged from wet to dry
- Very good lightfastness: Mont Marte Premium Oil Paints have a lightfast rating of 6 or above (equivalent to ASTM2). This means that under museum lighting conditions, the pigment will remain unchanged for 50-100 years
- Slower drying time gives you more flexibility to experiment with layering, blending and brush techniques
- Touch dry after 3-4 days (completely cures in 6-12 months)
- Finish varies across colours in the range
- Non-toxic
Handy hints:
- Use oil paints with wooden palettes (solvents such as turpentine and white spirits may damage plastic palettes)
- Change paint consistency by adding small amounts of turpentine and linseed oil
- Prepare your surface with a coat of primer
- Oil painting
- Glazing and sgrafitto
- Wet-on-wet
- Palette knife painting
- Impasto
- Grisaille
- Colour blocking
- Chiaroscuro
- Mixed media
- Dries to a semi-matte finish
- Good coverage and a creamy texture
- Fast drying time allows you to layer paint quickly without muddying your colours
- Suitable for most surfaces including canvas, wood, air-dried clay, plaster, cardboard, paper, leather and some plastics
- Available in a range of colours
- Dries to a semi-matte finish
- Good coverage and a creamy texture
- Fast drying time allows you to layer paint quickly without muddying your colours
- Suitable for most surfaces including canvas, wood, air-dried clay, plaster, cardboard, paper, leather and some plastics
- Available in a range of colours
- Dries to a semi-matte finish
- Good coverage and a creamy texture
- Fast drying time allows you to layer paint quickly without muddying your colours
- Suitable for most surfaces including canvas, wood, air-dried clay, plaster, cardboard, paper, leather and some plastics
- Available in a range of colours
- Dries to a semi-matte finish
- Good coverage and a creamy texture
- Fast drying time allows you to layer paint quickly without muddying your colours
- Suitable for most surfaces including canvas, wood, air-dried clay, plaster, cardboard, paper, leather and some plastics
- Available in a range of colours
- Dries to a semi-matte finish
- Good coverage and a creamy texture
- Fast drying time allows you to layer paint quickly without muddying your colours
- Suitable for most surfaces including canvas, wood, air-dried clay, plaster, cardboard, paper, leather and some plastics
- Available in a range of colours
Arif Shop
Arif Accessories is a Kenyan-based company with a specialization in Trendy crafts & DIY Supplies.
We are the leading supplier of both home & Commercial Glue guns and glue sticks with over 7 years of experience.
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